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GameSpot Now Playing - Spec Ops: The Line

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GameSpot Now Playing - Virtua Fighter 5: Final Showdown

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Men in Black: Alien Crisis Training Video #2 (by gamespot)

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GameSpot Now Playing - Spec Ops: The Line (by gamespot)

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GameSpot Now Playing - Virtua Fighter 5: Final Showdown (by gamespot)

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Ridley Scott Wants Harrison Ford In Blade Runner 2 In Some Capacity

Amidst the massive PR push for _Prometheus_, a campaign almost as epic as the film itself, bits of news about Ridley Scott’s possible _Blade Runner_ sequel continue to float to the surface. From what we’ve heard so far, Scott’s return to another of his most beloved sci-fi universes will be a sequel not a prequel—set years after the events of _Blade Runner_—that original screenwriter Hampton Fancher is in talks to tackle the script, and the film will likely feature a female protagonist. Harrison Ford, who played replicant hunter Rick Deckard in _Blade Runner_, will not be the protagonist of the sequel, but in an interview with The Independent Scott briefly quipped that he might like to get Ford into the mix. He said, “I don’t think it’ll be Harry [starring]. But I’ve got to have him in it somewhere. That’d be amusing.” Amusing is not exactly how I would have put it, but can’t you just hear the cheers in the theater at a midnight screening of _Blade Runner 2_ as Harrison Ford pops up for a quick line or two. Maybe Scott doesn’t even envision Ford as Deckard, maybe he’ll toss him in as a supply clerk or grizzled bartender. At this point everything is so up in the air that it’s all wild conjecture, but what the hell, conjecture is fun, and a_Blade Runner_ movie won’t feel like a _Blade Runner_ movie without a few frames of Ford. No matter what happens with the _Blade Runner_ sequel, whether it materializes or not, Scott is busy prepping his next film, _The Counselor_, based on a script from Pulitzer Prize-winner Cormac McCarthy (_No Country For Old Men_). That’s another film I’m super pumped about, but for vastly different reasons. In the interview, Scott also says he had a vastly different end in mind for Ripley in _Alien_: I thought that when the alien went for her in the shuttle, he should actually slam his fist through her helmet and kill her. Then you cut to the desk, and a shadow of the alien’s head comes over, and the finger of the alien starts tapping out coordinates, with obvious intelligence… But when I suggested that to the studio, they had an executive out there on set within 24 hours, saying, ‘You will not do that!’. And I guess they were right, because Sigourney made a great run of Ripley. That would have been one hell of a game changer. As a Thank you for your Subscription - Receive a Free copy of my book “Ed-isms” Confirm Your Sub with an email here: edjohnsonpresents@gmail.com http://dlvr.it/1dprQh Subscr Get a Book!

    • #harrison ford
    • #ridley scott
    • #blade runner
  • 17 hours ago
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Rick Baker on “Men in Black 3’s” Aliens & His Legendary Career


Jurgen Heimann, left, and Rick Baker prepare a Bass School Alien on the set of “Men in Black 3.” (Photos courtesy of the Museum of the Moving Image) Makeup and effects artist Rick Baker is a legend, a pioneer in his field who’s won seven Academy Awards. In fact, he earned his first Academy Award, for 1981’s _An American Werewolf in London_, the very year the Best Makeup category was added. Baker boasts countless productions to his credit, including _The Exorcist_, _Star Wars: A New Hope_, Michael Jackson’s groundbreaking _Thriller_ video, _Gremlins 2_, _Ed Wood_, 2001’s _Planet of the Apes_and, most recently, _Men in Black 3_. He’s worked on all three _Men in Black_ films (he won his fifth Oscar for the first installment), and his creations are now on display at the Museum of the Moving Image in Astoria, New York. Spinoff Online sat down with the humble, soft-spoken Baker – surrounded by his creations in the exhibit, called “Aliens, Gadgets and Guns: Designing the World of _Men in Black 3” _– to talk about how the industry has changed during his formidable career, his design for _Men in Black 3_’s main villain Boris the Animal, putting himself in his actors’ shoes (literally) and the television show he’s currently addicted to (here’s a hint: We may be seeing British-accented aliens and monsters in Baker’s future repertoire!) Spinoff Online: The Museum of Moving Image is my favorite museum in New York, and this exhibit is really cool. I like to imagine this is what your house looks like — just a vault of all your creations. Rick Baker: [Laughs] Not my house — my studio looks very much like this. My wife is fairly normal. [laughs] When we first started living together, my house was a little more strange than it is now. You spend so much time making all of these creatures, though, I can imagine they’re tough to let go of. They’re kind of like your babies, right? Yeah, I’ve been doing this since I was a little kid … and my bedroom was my workshop. So I grew up and slept and worked in a room that was full of monsters and aliens. Most people wouldn’t be able to sleep in that room! What was the first thing you created? The very first thing I did makeup-wise was just a vampire … because it was easy, and I had some grease paint. But it was enough to get me fascinated by the makeup process. And I was also extremely shy, an only child, I pretty much stayed in a room by myself. And I couldn’t really look and talk to people. But when I smeared this white grease paint on and these black circles around my eyes, it let me do things I couldn’t do. I was hidden. So you were your first model!
Keone Young and Tommy Lee Jones, holding Spiky Bulba, in “Men in Black 3” Oh yeah, I learned makeup on this face. And I still do stuff on myself. The Boris makeup that Jemaine [Clement] is wearing [in _Men in Black 3_], I was the first person that was in the Boris makeup. I kind of conceived of and designed something, and I wanted to show it to them in more than just Photoshop and stuff. So I did a complete makeup and actually made a personal appearance as Boris. I like to see what it’s like on the other side. It really helps — actors many times will complain about stuff, and by having been in it myself I can tell how valid that complaint is. [laughs] And a lot of the time it is, which is one of the reasons I do that — to discover what that person is going through. And you’ve appeared in makeup as an actor in many of the films you’ve worked on, including _Men in Black 3_. That’s certainly commitment when it comes to placing yourself in an actor’s shoes! You know, I think it should be mandatory for anybody who does what I do, to see what it’s like on the other side. It’s surprising how few of them actually have. And it’s a very different thing when you’re sitting in the chair for three hours, or more many times. Just the thought of getting a face or head mold makes me feel claustrophobic. You must’ve worked with people who’ve refused to do it. Yeah. I’ve really only had one person totally freak out, in my whole career. And this person was actually a big, muscular, macho kinda guy. Is there a workaround for a situation like that? What you do sometimes is you just do parts. If you keep their eyes open, they’re usually all right. I’ve done it in sections where you actually have to assemble it, and now we can do a laser scan and get something that’s pretty accurate. Speaking of Boris, Jemaine is known for being a comedian, but he’s a great bad guy in_Men in Black 3_. There’s a fun balance of his comedic physicality within this menacing villain. Do you find that you reconcile an actor’s personality with that of their character to tweak the creation you make for them? Yeah, I always take that into consideration — who the person is, stuff like that. In the case of this, I really did want to change Jemaine a lot. I conceived what I thought Boris should look like before Jemaine was cast, and then they cast Jemaine and I was like, “You cast this guy? With the glasses? It’s so not what I think he should be!” [laughs] But he gave an incredible performance! Well, you made him look unrecognizable in the movie! The funny thing is, I wasn’t even familiar with Jemaine, until this thing. And people said, “Oh, he’s really funny. You should look him up!” So I watched a couple of videos of him and Bret singing, and I just became an instant fan. I made him give me copies of all the _Flight of the Conchords_ DVDs! Boris’ makeup and effects also require CG. What was the experience like, coordinating with that technology?
Rick Baker’s SpaceBoy mask from “Men in Black 3,” on display at the Museum of the Moving Image Well, I designed it that way. I think it’s crazy not to take advantage of what you can do digitally. I do digital models myself, and you know that little thing that comes out of his hand? I made that model, I sculpted it in the computer. We actually made a practical version out of that same file. I gave the data to the Imageworks guys, and they made their model from my digital sculpture. But Ken Ralston is the digital effects supervisor; I’ve known Ken since I was 17. We were strange kids that liked Ray Harryhausen movies, and we became friends. So when I heard he was doing the movie I was really excited, because sometimes it turns into a pissing contest, for lack of a better term. But I knew what I wanted Boris to do. We could’ve done it in a practical way, but it wouldn’t have been as production-friendly. One of the things I’ve found in all the _Men in Black_ movies is that you can kind of over-build stuff. And a lot of the time there’s a shot from far away and there’s like months of mechanics in one item. So I said to Ken, I’d rather make some cool-looking eyes if it turns out that the guy is in the shot, but if we miss an eye-blink, can you guys put an eye blink in? So we worked hand in hand. It’s basically the “adapt or die” mentality in your field, then? Oh, yeah. And this is something I learned from the first makeup artist I was a fan of, Jack Pierce, who did _Frankenstein’_s monster and _Wolfman_ and _The Mummy_, all those classics. His work on those films saved that studio, and 10 years later they kicked him out of the studio because he wasn’t keeping up. He was still doing cotton and collodion build-up stuff when other people were using foam rubber. And he lost his job because of it. And I put that away, and I said I’m not going to let that happen to me. Plus, I like learning new things, and I get bored doing the same thing over and over again. I’ve been doing my designs digitally for over 23 years, when nobody else was doing it! I mean, it was Photoshop 1.0! [laughs] And I love it! Maybe I’m biased, because I’m a child of the ‘80s and so much of my love for cinema was born from watching productions you worked on: _An American Werewolf in London_, _Thriller_,_Harry and the Hendersons_. To me, those films hold up better than CG-laden images from even 10 years ago. There’s something about looking at a tangible item on screen — it doesn’t become antiquated as quickly. Well, the funny thing that happened in my career. When all the digital stuff started happening, I became a dinosaur instantly. And I was like, “I’m sorry, but the stuff I’m doing looks better than what you guys are doing!” And I think it’s proven itself. Like you said, I look at a film from the ‘90s, a CG film, and it looks like crap. But I think they’re doing some fantastic, amazing work now. Like I said, I embrace the technology, but there is something to be said now for the marriage of the two. I really would hate to see the art of makeup – and the actual putting appliances on people – disappear, because there’s a magic that happens when you get an actor in makeup, and when they’re looking in a mirror. Like I said, with me, when you’re looking in a mirror and you see this different face looking back at you, you know what you look like. Whereas, when you’ve got tracking marks on your face, and you’re on a motion-capture stage and not on a set — when you walk into Men in Black headquarters, and you’re on this cool set — you know where you are. And you see these aliens, it’s something you’re not going to get just with motion capture. And you must’ve had fun with the time-travel aspect of _Men in Black 3_, because you got to design creatures for the 1969 portions, modeled after imagery that you grew up on.
The Rick Baker-designed Spiky Bulba from “Men in Black 3” Well, it was something that went back to even the first _Men in Black_, because they said, “We want to do aliens unlike anything we’ve ever seen,” and I said, “That’s gonna be hard!” It was easier when I did aliens for_Star Wars_, but ever since the Cantina scene there’s been a million Cantina scenes. So I said, “Let’s make them look like aliens we’ve seen, but cooler!” They didn’t buy it. This one, with the time-travel element, I said, “They should be retro aliens — big-brained, bug-eyed aliens. And they should have fishbowl space helmets and spacesuits with weird things on them.” And they bought it, which I was extremely happy about. I had so much fun! I got to do aliens that I grew up with, and do cooler versions of them. What are you watching or reading right now that’s fueling your creativity? [laughs] I’m not much of a reader. I’m actually kind of dyslexic, so I don’t read a lot. I actually don’t watch a lot of stuff either, because I’m always making things and doing things. What I’m actually doing is — having said that I’m dyslexic — I’m doing a book about my career, and I’m also kind of a hoarder. [laughs] So I have stuff from when I was 10 years old, and all the stuff from my whole career. I have notes and drawings and photos of me in makeup at 16 years old, and drawings I did when I was 5, notes from _American Werewolf_, when I first came up with the idea for _Thriller_ that says, “We should have zombies dancing!” I’ve got all that stuff, so I’m putting it together into a book about my career. But I have been watching, actually, _Downton Abbey_. My wife said, “We’ve got to have a show that we watch together!” I was like, “What is this? I don’t want to see this! I want to see_Game of Thrones_!” But the characters are so great, it’s so well-written and so well-produced, I definitely got into it. _“Aliens, Gadgets and Guns: Designing the World of Men in Black 3″ is on exhibit through Sept. 23 at the Museum of the Moving Image in Astoria, New York._
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    • #men in black
    • #Men in Black 3
    • #An American Werewolf In London
  • 18 hours ago
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Master Chief called in to resolve Syria, reports BBC

Master Chief called in to resolve Syria, reports BBC:


During a news segment on the United Nations’ involvement in the Syrian conflict, the BBC aired an image of the UNSC - the fictitious United Nations Space Command from Halo.

The image, shown in the background of the clip above, even gets a special spotlight as the camera zooms in on the anchor as she discusses the very serious, very real issues plaguing Syria over the past year.

The BBC has since acknowledged and apologized for airing the Halo logo, telling Eurogamer, “BBC News makes every effort to ensure the accuracy of all images broadcast, however very occasionally mistakes do happen. Unfortunately an incorrect logo was used during a segment on last week’s News at One bulletin and we apologise to viewers for the mistake.

“The image was not broadcast in our later bulletins.”

Even if the BBC has stopped airing the USNC logo, the error has of course popped up on YouTube. The most obvious logic behind the mistake is that BBC editors searched Google Images for “United Nations Security Council symbol” and snagged the Halo UNSC logo that popped up in the results, but we like to think it was a subtle message to focus more efforts on quickly appeasing the situation in Syria - more efforts involving Master Chief.
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    • #master chief
    • #halo
  • 19 hours ago
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The Hobbit: Lord Of The Rings Ripoff?

The Hobbit: Lord Of The Rings Ripoff?:
Considering that YouTube comments are sea of uninformed, inane, idiocy, to be able to spawn a fail meme on there is an amazing accomplishment. Now, when are we going to tell Peter Jackson that someone is ripping off his movies so that he can sue whoever is directing it? [Source] As a Thank you for your Subscription - Receive a Free copy of my book “Ed-isms” Confirm Your Sub with an email here: edjohnsonpresents@gmail.com http://dlvr.it/1dn5sm Subscr Get a Book!

    • #The Hobbit
  • 20 hours ago
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Xbox 720 To Feature Skype-Powered In-Game Video Chat

One of the biggest tech acquisitions of the last few years with implications for the video game industry is that of Microsoft buying Skype for a hefty $8.5 billion. Windows Phone already takes advantage of the app and with Xbox 360 utilizing Kinect video already, it’s a natural home to be for the service as well – especially for seamless cross-platform communications. Microsoft has bigger plans for the service long-term however, and Skype could have a substantial role in video games themselves come time for the Xbox 720 (codenamed Durango).
_GeekWire_ spotted an interesting posting on Microsoft’s careers page, one that’s seeking help implementing Skype into the next-gen Xbox for in-game purposes. “Skype is working on powering real-time voice and video communications on the Xbox. Xbox is a fundamental lynchpin of Skype’s living-room strategy, and we are focused on enabling amazing new in-game and in-console voice and video experiences for the next generation of Xbox. This is a crucial initiative for Xbox, and it is time-critical given the hardware lead times involved.” Click here to see the full job listing. Video chat is the natural evolution for in-game communications. Audio communication is key to the multiplayer experience and has become the standard, but video is the future and the only thing holding it back is bandwith. With the Xbox 720 rumored to ship with Kinect 2 built-in, in-game video chat is a logical next-step in development. Think back to _Wing Commander_ when NPC characters would communicate to you and players could see a little Avatar of their face in the top left – what if that were a friendly face of a teammate in real-time? What if Microsoft implements a tablet controller much like Nintendo is doing with the Wii U (as rumored) and said controller featured a camera and the screen displayed a video chat with a teammate in _Ghost Recon_ or the next _Call of Duty_? Cooperative gameplay could get that much more immersive with real-time video communications between players and the idea could work wonders with something like _Battlefield 3_, had it included a commader role like its predecessors.
Still, video doesn’t just add more to existing player experiences, but it could lay the foundation for new types of gaming experiences entirely. By the sounds of the job description, the next Xbox could come sooner rather than later. But is there any chance of an early tease of it at E3, despite Microsoft’s denials? - Follow Rob on Twitter @rob_keyes. Source: Microsoft (via GeekWire) As a Thank you for your Subscription - Receive a Free copy of my book “Ed-isms” Confirm Your Sub with an email here: edjohnsonpresents@gmail.com http://dlvr.it/1dmRpf Subscr Get a Book!

    • #skype
    • #Xbox
  • 21 hours ago
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J.J. Abrams Sets Up Another Mystery Sci-Fi Project at Paramount

J.J. Abrams Sets Up Another Mystery Sci-Fi Project at Paramount:

As much as I love J.J. Abrams’ dogged determination to preserve mystery in the moviegoing experience, I have to admit that sometimes it can be a little bit frustrating from the point of view of someone who runs a movie blog. Sure, that’s kind of the point, but come on, throw us a bone and give us something to discuss here! This week we’ve learned of yet another secretive project that he will be setting up under his Bad Robot banner and as per usual they have released very little information about it. Abrams will be producing but probably not directing, and no one else is attached as of yet. Hit the jump to find out the rest of what we know about this mysterious flick.

According to Variety, Paramount has pre-emptively acquired an “untitled, low budget spec script” from screenwriters Josh Campbell and Matt Stuecken. Although Paramount had no comment on the acquisition, it is described as a “contained thriller with sci-fi elements.” Is it possible to be any more vague than that? Probably not.

Campbell and Stuecken are relative unknowns; Campbell has worked as an assistant editor on such movies as _The Chronicles of Narnia: The Lion, the Witch and the Wardrobe_ and _Van Helsing_, while Stuecken was an associate producer on _G.I. Joe: The Rise of Cobra_ and _The Mummy: Tomb of the Dragon Emperor_. The only screenwriting credits between them are _One Square Mile_ and a remake of John Woo’s _The Killer_, both of which are in development. The fact that this project is expected to be low budget definitely seems reminiscent of _Cloverfield_, but that’s really all we have to go on.

Other feature films that J.J. Abrams currently has in development (aside from _Star Trek 2_) include:

* Boilerplate: History’s Mechanical Marvel

* Untitled Diamond Heist Movie

* Untitled Billy Ray Collaboration

* Mystery on Fifth Avenue

* Let the Great World Spin

* Zanbato

Which ones are you most looking forward to?As a Thank you for your Subscription - Receive a Free copy of my book “Ed-isms” Confirm Your Sub with an email here: edjohnsonpresents@gmail.com http://dlvr.it/1dlkDs Subscr Get a Book!

    • #jj abrams
    • #paramount
  • 22 hours ago
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‘Marvel Heroes’ MMO Reveals More Screen Shots, Character Designs

Last week Gazillion Entertainment revealed its first gameplay trailer for the upcoming free-to-play _Marvel Heroes_ MMO helmed by David Brevik (_Diablo_) and Marvel scribe Brian Michael Bendis, showing off both character combat and the game’s cinematic stylings. That doesn’t mean game makers have shied away from up close and personal screen shots and character model sheet reveals, however, with new images of gameplay and new hero profiles now making the rounds on the game’s website. Browsing the screen shots gives players a look at some alternate costumes that’ll be obtainable in the MMO, including Spider-Man in his Future Foundation suit, a ‘World War/Planet’ Hulk, ‘X-Force’ Wolverine and Steve Rogers in the uniform he wore while serving as the director of S.H.I.E.L.D.. Meanwhile the character model sheets focus on the modern costumes of Storm, Emma Frost, Colossus, Ms. Marvel and Black Widow. Take a look at the latest _Marvel Heroes_ MMO character renders after the cut.

[Click Images to Enlarge]

Screen Shots

Character Model Sheets
[Via Marvel Heroes]

Read More: http://www.comicsalliance.com/2012/05/28/marvel-heroes-mmo-screen-shots-character-designs/#ixzz1wGcG7jdnAs a Thank you for your Subscription - Receive a Free copy of my book “Ed-isms” Confirm Your Sub with an email here: edjohnsonpresents@gmail.com
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    • #mmo
    • #Marvel Heroes
  • 23 hours ago
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Agent of S.T.Y.L.E. - The 1st Four DOCTOR WHO’s



 ENLARGE

By Alan Kistler, Newsarama Contributor
posted: 28 May 2012 11:13 am ET

The original television series _Doctor Who_ began in 1963, the day after President John F. Kennedy died. It was intended to be a program that children and parents could watch together, where adventures through time and space would give children education in basic science, Earth history, and morality. Initially a mysterious figure, the star of the show became the character known only as the Doctor.
Some time after having at least one grandchild, he decided he could no longer put up with the rigid rules of his planet - that Time Lords were meant only to observe the “lesser races” of the universe and to never interfere. He stole a broken down timeship (a “TARDIS”) from a repair shop and hotwired it. He then began his true life in full, adventuring from one end of the universe to another, sometimes even journeying into other universes and dimensions. As a renegade, he was forced to give up his rights, birthright and even, apparently, his birth name. Thus, even his own people, when they encountered him again later, would never use his true name. He was simply “the Doctor” now.Eventually, we did learn some things. The Doctor came from a society of people known as Time Lords on the planet Gallifrey, a world lit by twin suns in the constellation of Kasterborous. Gallifreyans were natural “time sensitives” due to their proximity to a gap in the “space/time vortex” and members of the noble class were trained to become Lords and Ladies of Time.One of the ideas of the show is that Time Lords have the ability to regenerate their entire body as a means of cheating death (provided you haven’t used up all your regenerations, the death isn’t instantaneous and/or there isn’t too much damage to the body). Though his memories and the core of his personality remain the same, the Doctor has worn different bodies with different personality quirks and, as a result, has altered his fashion choices quite often. So let’s take a look back at the first four Doctors.FIRST DOCTOR – GRANDFATHER PARADOX (1963-1966)
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 ENLARGE_“Back when I first started at the very beginning, I was always trying to be old and grumpy and important. Like you do when you’re young.”_ – Tenth Doctor, from the Doctor Who charity episode “Time Crash”The First Doctor was played by William Hartnell. This man, who was said to be from “another world, another time” was a contradiction. He was an elderly man traveling with his granddaughter Susan, yet he often acted childish and immature. It sometimes seemed that she was taking care of him rather than vice versa. He appeared at times to be powerful and gifted with incredible knowledge, yet it was clear that he has absolutely no control over his time ship (the “year-o-meter” broke, so he couldn’t determine a time destination even if he’d wanted to). And though he claimed to be an exile, it was also clear that he was some kind of fugitive, as he occasionally made remarks hinting that part of his wanderlust was a fear of being discovered if he stayed in one place for too long.
 ENLARGEInitially, the character of the Doctor was to be somewhat sinister and cold, someone who could just as easily be a danger to his comrades as a friend. This makes sense considering what we later learned about Time Lords and how they were often dismissive of “lesser races.” But William Hartnell made the suggestion that this was only a show the Doctor put on and that, once he learned to let his guard down, he would be a much more amiable (albeit still grumpy) character. Hartnell said he wanted the Doctor to be a “cosmic lama of the stars,” with a personality that was a mix of Father Christmas and the Wizard of Oz. Producer Verity Lambert agreed and so, by the third adventure, this old, gruff man began to develop into the playful and arrogant hero we know and love today._“As we learn about each other, so we learn about ourselves.”_ – First Doctor, from “The Edge of Destruction”The First Doctor’s black coat and tie, in conjunction with his slicked back hair and fierce look, definitely makes him seem like a stern figure. You could easily picture him lecturing a room full of students. On rare occasion, you’d see him toss on a cape and maybe even a black cap, giving him the impression of a Dickensian character, familiar to us yet clearly out of place.
 ENLARGEBut the entire outfit isn’t serious. Notice the trousers. The pattern makes them playful and casual, clashing with the feeling given by the rest of the outfit. Actor Tom Baker, who played the fourth incarnation of the Doctor, described it as “anti-fashion” but since we learned from the start that the Doctor is from another world, we can interpret this instead as a sign that he might operates by a different/alien fashion sense. The trousers could almost be pajamas and their look gives off a spark of playfulness, which makes sense since the Doctor, in all his incarnations, has a Puckish quality to his persona._“Your ideas are too narrow, too crippled. I am a citizen of the universe. And a gentleman to boot!”_ - First Doctor, from “The Daleks’ Master Plan”SECOND DOCTOR – COSMIC HOBO (1966-1969)
__
 ENLARGE_“Life depends on change and renewal… I’ve been renewed!”_ – Second Doctor, from “The Power of the Daleks”Patrick Troughton was the first actor who had to convince audiences that it was possible to have a new, different Doctor and yet accept him as the same character. In fact, Troughton initially believed that TV audiences would not accept the idea of the Doctor changing his form and some of his personality quirks (the process would not be called “regeneration” until about eight years later). It took three phone calls to convince him to come on board.Whereas Hartnell was a gruff grandfather who was really a big softy when you got to know him, Troughton’s Doctor was a lovable uncle. He was an intelligent, sensitive man who often played the cowardly fool, either to make his friend laugh or to trick enemies into underestimating him. The Second Doctor refused to admit he couldn’t control his ship, yet embraced the fact that he was basically a homeless wanderer. With wrinkled shirts, a bow tie that was often crooked, and trousers that clashed with his coat, this Doctor was an incarnation that Troughton jokingly described as a “cosmic hobo” or “space pixie.” His outfits definitely said “laid-back clown” rather than “authority figure,” fitting nicely with his personality.
 ENLARGE“_I am not a student of human nature. I am a professor of a far wider academy of which human nature is merely a part_.” – Second Doctor, from “The Evil of the Daleks”To enhance the ridiculousness of his look, Troughton once wore a stovepipe hat and on other occasions sported a large fur coat (no doubt fake fur, considering the Doctor’s loving attitude towards animals).The Second Doctor’s adventures were in black and white, but he later appeared in color when he teamed up with some of his other incarnations. When he met his Sixth incarnation, he wore simple, drab colors, but in “The Three Doctors,” where he teamed up with the First and Third Doctors, he wore a bright blue shirt that definitely underlined his clownish aspect.
 ENLARGEAnd for you trivia fans out there, it was the Second Doctor who first used the famous sonic screwdriver and who began the habit of using the alias “John Smith,” which (coincidentally or not) was also the name of his granddaughter Susan’s favorite musical artist. He also met and befriended a Col. Alistair Gordon Lethbridge-Stewart, who then realized just how much Earth was now a target to alien forces since it was drawing attention to itself with radio/TV transmissions and satellites. When the Second Doctor met Alistair again, the man had been promoted to Brigadier Lethbridge-Stewart and was now head of the UK branch of an alien-fighting organization he had helped found: the United Nations Intelligence Task Force (or U.N.I.T.).Patrick Troughton has become the favorite _Doctor Who_ actor for a few of the later folks who played the Doctor, including Tom Baker and Matt Smith.“_Our lives are different to anybody else’s. That’s the exciting thing, that nobody in the universe can do what we’re doing_.” - Second Doctor, from “Tomb of the Cybermen”THIRD DOCTOR – THE DANDY EXILE (1970-1974)
__
 ENLARGE_“If I could leave I would, if only to get away from people like you and your petty obsessions!”_ – Third Doctor, “The Claws of Axos”Jon Pertwee played the Third Doctor. At this time, the program was going under some changes. To save on budget, it was decided to focus on Earthbound stories for a while. In the next season premiere, the Doctor crash landed on Earth, his TARDIS broken and his knowledge of time travel science blocked out by the Time Lords. In order to have the resources required to perhaps shot-wire his time ship, the Doctor agreed to be the scientific advisor of U.N.I.T., teaming up once again with Brigadier Alistair Gordon Lethbridge-Stewart (though the Brig would occasionally insist that the Doctor was actually his employee).Since the Brigadier wanted his superiors to think that he was employing a human scientist rather than an alien, he asked for the Doctor to give him a real name to put in the paperwork. The Doctor officially became “Dr. John Smith” of U.N.I.T. (though, eventually, many people in the organization did indeed learn of the man’s alien nature, since the Doctor himself rarely bothered to keep quiet about it).
 ENLARGETrapped in one time and place and forced to work with the military, this Doctor quickly developed into a stern, sarcastic, short-tempered person. He took life much more seriously than his previous incarnation, spending every spare moment he had in his lab as he tried to fix his TARDIS. Because he was more actively engaged in military situations and had to fight normal humans as often as aliens who could be disabled by sonic attacks, the Third Doctor became far more prone to physical confrontation. In several adventures, he would be cornered by human enemies, only to respond with a display of alien martial arts, which he claimed was a Venusian equivalent of karate or aikido._“Courage isn’t just a matter of not being afraid, you know. It’s being afraid and doing what you have to do anyway.”_ – Third Doctor, from “Planet of the Daleks”With the legal authority of U.N.I.T. behind him and his constant production of high-tech gadgets, this Doctor was a James Bond-esque take on the character. Like the First Doctor, this third incarnation was a little bit in love with himself and felt the need to remind others of his importance and ability. Hence, every one of his outfits were attention grabbing and with an old-fashioned sense of sophistication. At the same time, the outfits were often a bit flamboyant, reminding us that the Doctor was still a bit of a nut at heart.After getting more used to his Earthbound allies and developing a deeper friendship with Brigadier Lethbridge-Stewart, the Doctor began to lighten up. Then, after teaming up with his previous two incarnations to save Gallifrey, he was rewarded with technology that could repair his TARDIS and restored memories of time travel science. He had his freedom again (so long as he occasionally did a mission for the Time Lords black ops organization, the Celestial Intervention Agency). Following this, the Third Doctor became less sarcastic and more jolly. He even stuck around with U.N.I.T. a while longer still, perhaps because he’d grown to truly enjoy the people there.
 ENLARGEThis Dandy Doctor, as fans often called him, didn’t have one set type of outfit, but went through many that all seemed to have the same frilly shirts or the same air of pompousness. It certainly made him a very memorable man to come across. Jon Pertwee played this incarnation for five years, which was the longest Doctor run ever up to that point._“A straight line may be the shortest distance between two points, but it is by no means the most interesting!”_ – Third Doctor, from “The Time Warrior”FOURTH DOCTOR – ALL TEETH AND CURLS
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 ENLARGE_“There’s no point in growing up if you can’t be childish sometimes!”_ – Fourth Doctor, from “Robot”During the 26th season run of the Classic Doctor Who series, Tom Baker may have proven himself the most famous, playing the role for seven years on-screen. Having lived in a monastery and then operated in the military before deciding to be an actor, Tom Baker brought a new perspective to the role and very much wanted to emphasize that the Doctor was an alien first and foremost, with reactions and idiosyncrasies that reminded us he was not a creature born or raised on Earth. This was helped by the fact that Tom Baker himself was notoriously weird and a little ridiculous at times. According to writers on Doctor Who, if you sometimes said “Good morning,” to Tom Baker, the actor would immediately ask, “Is it?” He would examine the sky and his surroundings and declare, “Yes! It’s a wonderful morning!” Then he’d grin broadly as he went on his way.Perhaps because his third incarnation had been exiled to one place and time for so long, the Fourth Doctor exhibited extreme wanderlust, determined to never stay in one place for too long. When the Third Doctor had been poisoned with radiation, he should have died, so great was the damage, and it was only thanks to another Time Lord coming to his aid that he was able to regenerate at all. Even when the regeneration was assured, the other Time Lord stated that (perhaps because of just how much damage the radiation had done) the Doctor’s fourth incarnation would be “somewhat erratic.” That’s usually true during the first hours after regeneration anyway, but the Fourth Doctor maintained displays of being bizarrely scatterbrained, constantly changing the subject during conversations, sometimes interrupting himself with stray thoughts he would voice aloud. He also had a strange habit of offering the candy known as jelly babies to nearly everyone he encountered, sometimes at the most inappropriate moments.
____
 ENLARGE_“You and I are scientists, professor. We purchase the right to experiment at the cost of total responsibility.”_ – Fourth Doctor, from “Planet of Evil”Tom Baker saw the Doctor as a bohemian scientist/pilgrim, one who accomplished who didn’t often build gadgets or make elaborate plans but preferred to rely on what was handy and leave himself lots of opportunity for improvisation. His whole ensemble suited his eccentric, absent-minded professor mentality and brought back the Second Doctor’s idea of being a homeless traveler. If Willy Wonka had been a Time Lord, he would’ve been a lot like the Fourth Doctor.One link between most of the outfits the Fourth Doctor wore was that he often added a multi-colored scarf that varied in length from about 10 to 20 feet. He claimed that at least the first of these scarves had been knitted for him by Madame Nostradamus._ ___
 ENLARGE_”You’re a classic example of the inverse ratio between the size of the mouth and the size of the brain.”_ – Fourth Doctor, from”The Robots of Death”Behind the scenes, the original scarf used on the show came about because Tom Baker and the producers decided that his Doctor would wear an eccentric colored scarf. The show hired a knitter named Begonia Pope, providing her with lots of yarn to choose from since the producers were not sure how much would actually be needed. After she was left with the task, Begonia realized she had not asked how long the scarf was supposed to be and was too embarrassed to ask later. So she used ALL the material that had been left for her. Upon seeing the finished product, Tom Baker loved the ridiculous length of the scarf so much that he made it the trademark of his incarnation, calling for a whole set of similar products.The fact that the Fourth Doctor often dressed in several pieces meant that he could fit into a variety of circumstances. And like his previous three incarnations, he would sometimes wear a special outfit for a specific adventure, such as when he donned Holmes-like garb in the TV story “The Talons of Weng-Chiang” (which was also the first adventure to introduce the Time Agency, of which Jack Harkness was a member). For a while he wore a vest and old-fashioned tie, then later simply a white shirt with the collar unbuttoned. He went from wearing sport coats to wearing long coats and trench coats. His footwear went from shoes to good traveling boots. Whatever garment he wore, there was still no mistaking the Fourth Doctor with enormous eyes, trickster grin, and Bob Dylan-esque hair (seriously, that hair is amazing).
 ENLARGEInterestingly, it was during Tom Baker’s tenure that we finally got to really see Gallifreyan fashion. During a Second Doctor adventure “The War Games,” we saw a few Time Lords dressed in simple robes as they held court. In the Fourth Doctor TV story “The Deadly Assassin,” the hero returned to his home planet Gallifrey and wound up sporting the orange colored robes of his native clan, the Prydonians (known for their cunning and manipulation). Other Time Lord clans wore similar official robes and collar, though of different colors. Some Prydonians were seen wearing crimson, though why this was so wasn’t explained. All the collars were decorated on each side by the Seal of Rassilon (which was also considered the general seal of the Time Lords, since Rassilon was the one who brought them time travel and TARDISes). These outfits and similar ones have been seen for brief times in the new _Doctor Who_ series.During Tom Baker’s final season as the Doctor, John Nathan-Turner took over as the main power behind the program and started making some changes. One thing he did was to give the Doctor a new uniform look rather than just a dress sense. This season began what Whovians often refer to as the “costume era” of _Doctor Who_, which lasted throughout the 1980s and the next three Doctors. John Nathan-Turner put Tom Baker in a crimson over coat, crimson trousers, crimson hat, and a new scarf that was various shades of red. He also added question marks to the shirt collar, to give the Doctor a mysterious symbol similar to the icons and monograms of various superheroes.
 ENLARGETom Baker disliked this style very much, feeling it was too much of a costume rather than a direct character wardrobe choice. He felt that it seemed more like a parody of his Doctor’s outfit rather than something his incarnation would actually wear. Along with this, he did not agree with John Nathan-Turner’s new insistence that _Doctor Who_ focus on more serious, straightforward science fiction stories and not be as funny or have silly moments purely to entertain. Tom Baker had rather enjoyed the humorous moments of the show and the occasional self-aware dialogue._“The very powerful and the very stupid have one thing in common. They don’t alter their views to fit the facts. They alter the facts to fit their views. Which can be uncomfortable if you happen to be one of the facts that needs altering.”_ – Fourth Doctor, from “The Face of Evil”That wraps it up for now. Join us again soon and we’ll look at the next four incarnations of the Doctor. Until next time, this is Alan Kistler, Agent of S.T.Y.L.E., signing off.[Alan “Sizzler” Kistler _is an author and actor living in New York City. His books include_The Unofficial Batman Trivia Challenge_ and_ The Unofficial Spider-Man Trivia Challenge_. He has been recognized as a comic book historian by publishers and news media outlets. He has spoken on Star Trek, Doctor Who, women in TV/film, vampire fiction, and the evolution of superheroes at various conventions and the Paley Center. He believes Isaac Asimov should be required reading in schools. Archives of his work can be found at:_http://AlanKistler.com. _His Twitter handle is: _@SizzlerKistler]More Agent of S.T.Y.L.E.’s:As a Thank you for your Subscription - Receive a Free copy of my book “Ed-isms” Confirm Your Sub with an email here: edjohnsonpresents@gmail.com http://dlvr.it/1dkMlZ Subscr Get a Book!

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